Activision Publishing, Inc. is an American video game publisher based in Santa Monica, California. It currently serves as the publishing business for its parent company, Activision Blizzard, and consists of several subsidiary studios. Activision is one of the largest third-party video game publishers in the world and was the top United States publisher in 2016.^[4]

@The company was founded as Kotick instituted a full rework of the company to cover its debts: dismissing most of its staff, moving the company to Los Angeles, and reincorporating under the Activision name.

Building on existing assets, the Kotick-led Activision pursued more publishing opportunities and, after recovering from the former debt, started acquiring numerous studios and intellectual properties over the 1990s and 2000s, among these being the Call of Duty and Guitar Hero series. Activision Holdings was formed to manage the internal and acquired studios. In 2008, Activision's parent merged with Vivendi Games, the parent company of Blizzard Entertainment, and formed Activision Blizzard, with Kotick as its CEO. Within this structure, Activision serves to manage numerous third-party studios and publish all of the parent company's games outside of those created by Blizzard.

By 1979, Nolan Bushnell had sold Atari, Inc. to Warner Communications and left the company over several disagreements with the direction Warner wanted to take the company—particularly with the popular Atari 2600 game console (then known as the Atari Video Game Console or VCS).^[5] Bushnell's replacement as CEO, Ray Kassar, showed little respect to developers, giving them no financial compensation for profitable games^[6] and refusing them public credit for fear they would be recruited by other game companies.^[7] David Crane, one of Atari's programmers, recalled a memo sent by Kassar that listed the best-selling cartridges from the previous year to help guide game ideas; Crane noted that the games he was fully responsible for had brought in over US$20 million for the company but he was still only receiving a US$20,000 salary.^[8] Crane, along with Larry Kaplan, Alan Miller and Bob Whitehead, became vocal about the lack of recognition within the company and became known as the "Gang of Four".^[8] The group met with Kassar in May 1979 to demand that the company treat developers as record labels treated musicians, with royalties and their names on game boxes. Kaplan, who called the others "the best designers for the [2600] in the world", recalled that Kassar called the four men "towel designers" and claimed that "anybody can do a cartridge".^[9]

The four made the decision to soon leave Atari and start their own business, but were not sure how to go about it.

Some developers had already left Atari, only to be hired back as contractors, effectively doubling their pay rate, but the four wanted something more ambitious.^[8] In 1979, the concept of third-party developers did not exist,^[10] as software for video game consoles were published exclusively by makers of the systems for which the games were designed.^[11] The four decided to create their own independent game development company. They were directed by their attorney to Jim Levy, who was at the time raising venture capital to manufacture of cassette tape drives for early home computers. Levy listened to their plans, agreed with its direction, and helped the four to secure about US$1 million in capital from Sutter Hill Ventures.^[8] By August, Crane and Miller had left Atari, with Whitehead and Kaplan joining them shortly after.^[9] Activision was formally founded on October 1, 1979, with Levy serving as CEO. The company was initially named "Computer Arts, Inc." while they considered a better title. The four founded had thought of the name VSync, Inc., but feared that the public would not understand or known how to say it. Levy suggested combining "active" and "television" to come up with Activision.^[12][13] The four's departure from Atari created a major dent in Atari's developer staff, and Atari pursued legal action from 1980 to 1982 to try to shut Activision down, claiming the four had stolen trade secrets. The lawsuit was settled by 1982, with Activision agreeing to pay royalties to Atari but otherwise legitimizing the third-party development model.^[8][14]

The four's knowledge of the Atari 2600, as well as software tricks for the system, helped them make their own games visually distinct from Atari-produced games.^[8] Each of the founders developed their own titles, about one a year, over the first few years of the company.

To further distinguish themselves, Activision's boxes were brightly colored and featured an in-game screenshot on the back cover.^[8] Instruction manuals for games devoted a least one page to credit the developer.

Additionally, for nearly all of Activision's games through 1983, the instruction manuals included instructions for sending the company a photograph of a player's high scores to receive an embroidered patch in return.^[15]

Activision's breakout title was 1982's Pitfall!, created by Crane. More than 4 million copies of the game were sold.^[16] Total revenues around 1983 were estimated to be about US$60 million, at which point they had around 60 employees.^[8] Danny Goodman stated in Creative Computing Video & Arcade Games in 1983, "I doubt that there is an active [Atari 2600] owner who doesn't have at least one Activision cartridge in his library".^[17] The company launched a success initial public offering in 1983 on NASDAQ under the stock ticker AVSN.^[8][18] The founders were given the Game Developers Choice "First Penguin" award in 2003, reflecting on being the first successful third-party developer.^[19]

The success of Activision, alongside the popularity of the Atari 2600, led to many more home consoles third-party developers as well as other home consoles.

Activision produced some of its Atari games for the Intellivision and Colecovision consoles, among other platforms.^[20] However, several new third-party developers also arose, attempting to follow the approach Activision had used but without the experience they had; according to Crane, several of these companies were founded with venture capital and hired programmers with little game design experience off the street, mass-publishing whatever product the developers had made. This was a contributing factor to the video game crash of 1983, among other factors.^[8] For Activision, while they survived the crash, they felt its effects in the following years. These third-party developers folded, leaving warehouses full of unsold games, which savvy retailers purchased and sold at a mass discount (US$5 compared to Activision's US$40 manufacturer's suggested retail price). While there was still a demand for Activision games, uneducated consumers were more drawn to the heavily-discounted titles instead, reducing their income. Because of this, Activision decided that they needed to diversity their games onto home computers such as the Commodore 64, Apple, and Atari 8-bit family to avoid a similar event.^[8] There still was a drain of talent through 1985 from the crash. Kaplan left Activision in 1983 to return to Atari as he wanted to be more involved in hardware development.^[21] Miller and Whitehead left in 1984 due to the large devaluation of their stock, and went to form Accolade.^[8][21]

With the video game crash making console game development a risky proposition, the company focused on developing for home computers with games like Little Computer People and Hacker, while Levy tried to keep expenditures in check as they recovered.^[8] Looking to expand further, Activision acquired, through a corporate merger, the struggling text adventure pioneer Infocom in June 1986. This acquisition was spearheaded by Levy, who was a big fan of Infocom's titles and felt the company was in a similar position as Activision.^[21] About six months after the "Infocom Wedding", Activision's board decided to replace Levy with Bruce Davis. Davis was against the purchase of Infocom from the start and was heavy-handed in its management,^[22] and even attempted to seek a lawsuit to recover their purchase from Infocom's shareholders.^[8] Crane also found Davis difficult to work with, and was concerned with how Davis managed the closure of Imagic, one of the third-party development studios formed in Activision's success in 1981.^[8] Crane left Activision in 1988 and helped Gary Kitchen found Absolute Entertainment in 1988.^[8]

In 1988, Activision began involvement in software besides video games, such as business applications.

As a result, Activision changed its corporate name to Mediagenic to better represent all of its activities.^[23][8]

Mediagenic consisted of four groups:

In 1989, after several years of losses, Activision closed down the Infocom studios, extending to only 11 of the 26 employees an offer to relocate to Activision's Silicon Valley headquarters. Five of them accepted this offer.^[22]

Notably during this period, Mediagenic, via Activision, secured the rights to distribute games from Cyan Worlds. The first game published by Activision from Cyan was The Manhole, on CD-ROM for personal computers, the first major game distributed in this format.^[24][25]

Davis' management of Mediagenic failed to produce a profitable company; in 1991, Mediagenic reported a loss of US$26.8 million on only US$28.8 million profit and had over US$60 million in debt.^[8][26] Cyan severed their contract with Activision, and instead turned to Broderbund for publishing, including what would become one of the most significant computer games of the 1990s, Myst.^[26]

Bobby Kotick had become interested in the value of the video game industry following the crash, and he and three investors tried to buy Commodore International as to be able to gain access to the Commodore Amiga line of personal computers. Failing to complete this, the group bought a company that licensed Nintendo characters, and through Nintendo was directed to the failing Mediagenic.^[27] Kotick was drawn to buy out Mediagenic not for its current offerings but for the Activision name, given its past successes with Pitfall! with hopes to restore Activision to its former glory.^[28] Kotick and additional investors bought Mediagenic for approximately US$500,000 in 1991; among these investors included real estate businessman Steve Wynn and Philips Electronics.^[29][27] Kotick became CEO and made several immediate changes: He let go of all but 8 of the companies' 150 employees, performed a full restructuring of the company, developed a bankruptcy restructuring plan, and reincorporated the company in Los Angeles, California.^[14] In the bankruptcy plan, Kotick recognized that Mediagenic still had valuable assets, which included the Infocom library as well as its authoring tools to make games, Activision's distribution network, and licenses to develop on Nintendo and Sega home consoles.^[26] Kotick offset some debt by giving stock in the company to its distributors as to keep them vested in the company's success.^[26] Kotick also had the company reissue several of its past console and Infocom titles as compilations for personal computers. Kotick had also recognized the value of the Zork property from Infocom, and had the company develop a sequel, Return to Zork. Combined, these steps allowed Mediagenic to fulfill on the bankruptcy plan, and by the end of 1992, Kotick renamed Mediagenic to the original Activision name.^[26] The new Activision went public in October 1993, raising about US$40 million,^[14] and was listed on NASDAQ under its new ticker symbol ATVI.^[29]

By 1995, Kotick's approach had met one promise he made to investors: that he would give them four years of 50% growth in revenues while remaining break-even.

Reaching this goal, Kotick then set Activision on his second promise to investors, as to develop high-demand games as to make the company profitable by 1997.^[26]

Activision published the first-person perspective MechWarrior in 1989, based on FASA's pen-and-pencil game BattleTech. A sequel, MechWarrior 2, was released in 1995 after two years of delays and internal struggles, prompting FASA not to renew their licensing deal with Activision. To counter, Activision released several more games bearing the MechWarrior 2 name, which did not violate their licensing agreement. These included NetMech, MechWarrior 2: Ghost Bears Legacy, and MechWarrior 2: Mercenaries. The entire MechWarrior 2 game series accounted for more than US$70 million in sales.

Activision procured the license to another pen-and-paper-based war game, Heavy Gear, in 1997. The video game version was well received by critics, with an 81.46% average rating on GameRankings and being considered the best game of the genre at the time by GameSpot. The Mechwarrior 2 engine was also used in other Activision games, including 1997's Interstate '76 and finally 1998's Battlezone

With several of its own successfully-developed games helping to turn a profit, Kotick led Activision to start seeking acquisitions of video game development studios, guided by market surveys to determine what areas of content to focus on.^[27] It is estimated that between 1997 and 2008, Activision made 25 acquisitions, several for undisclosed amounts.

Several of these came prior to 2001, in the midst of the Dot-com bubble, enabling the company to acquire studios at a lower valuation.^[27] On June 16, 2000, Activision Holdings was created as a holding company for Activision to manage Activision and its subsidiaries more effectively.^[30] Activision changed its corporate name from "Activision, Inc." to "Activision Publishing, Inc.", while Activision Holdings took Activision's former "Activision, Inc." name.^[30] Activision Publishing became a wholly owned subsidiary of Activision, which in turn became the publicly traded company, with all oustanding shares of capital stock converted.^[30][31]

Some of the key acquisitions and investments made by Activision in this period include:

While Activision was highly successful with its range of developers and successful series, Kotick was concerned that they did not have a title for the growing massively multiplayer online market, which presented the opportunity for continued revenues from subscription models and microtransactions instead of the revenue from a single sale. Around 2006, Kotick contacted Jean-Bernard Lévy, the new CEO of Vivendi, a French media conglomerate. Vivendi had a games division, Vivendi Games, that was struggling to be viable at the time, but its principle feature was that it owned Blizzard Entertainment and its highly-successful World of Warcraft game, which was drawing in US$1.1 billion a year in subscription fees. Vivendi Games also owned Sierra Entertainment.^[14]

Lévy recognized Kotick wanted control of World of Warcraft, and offered to allow the companies to merge, but only if Lévy held the majority shares in the merged group, forcing Kotick to cede control. Kotick fretted about this decision for a while, according to friends and investors. During this time in 2006–2007, some of Activision's former successful properties began to wane, such as Tony Hawk's, and Activision faced harsher competition from Electronic Arts, who had purchased Harmonix after Activision bought Red Octane as to develop Rock Band, a competing title to Guitar Hero.^[14] Kotick met with Blizzard's president Mike Morhaime, and learned that Blizzard had also had successful inroad into getting their games into China, a potentially lucrative market. Given this potential opportunity, Kotick agreed to the merger.^[14]

Activision's board signed onto the merger by December 2007.^[41] The merger was completed in July 2008.

The new company was called Activision Blizzard and was headed by Kotick, while Vivendi maintained a 52% share in the company.^[14][42] The new company was estimated to be worth US$18.9 billion, ahead of Electronic Arts, which was valued at US$14.1 billion.^[43]

Activision Publishing remains a subsidiary of Activision Blizzard following the merger, and is responsible for developing, producing, and distributing games from its internal and subsidiary studios.

Eric Hershberg was announced as Activision Publishing's CEO in 2010.^[31]

Activision Publishing established Sledgehammer Games in November 2009. Formed earlier in 2009 by Glen Schofield and Michael Condrey, former Visceral Games leads that had worked on Dead Space, Sledgehammer intended to develop a Call of Duty spin-off title fashioned after the gameplay in Dead Space. However, in early 2010, legal issues between Infinity Ward and Activision Blizzard led to several members of Infinity Ward leaving, and Activision assigned Sledgehammer to assist Infinity Ward in the next major Call of Duty title, Modern Warfare 3.^[44] Since then, Sledgehammer, Infinity Ward, and Treyarch share development duties for the flagship series, with support from Raven and other studios as necessary.

In February 2010, Activision Blizzard reported significant losses in revenue stemming from a slow down in Guitar Hero sales and from its more casual games. Subsequently Activision Publishing shuttered Red Octane, Luxoflux and Underground Development as well as laid off about 25% of the staff at Neversoft.^[45][46] Within the same year, Activision shuttered Budcat Creations in November 2010, and Bizarre Creations in February 2011.^[47][48]

Hirshberg left the CEO position in March 2018, and the position remains open as of February 2019.^[49]