A & R Recording
A & R Recording
History
Before founding A & R Recording in 1958, Arnold and Ramone had been working at JAC Recording, Inc.; Arnold had been a partner at JAC. The "A" and "R" initials were derived from their surnames. But also, Arnold and Ramone relished the idea that their initials and company name matched the industry acronym for "artist and repertoire," an important avocation in the recording industry.[10]
Jack Arnold ended his association with A & R Recording shortly after co-founding it, due to health issues.
Original A & R studio — 112 West 48th Street
The original studio was in Midtown Manhattan, New York City, on the 4th floor of Mogull's Film & TV[2] building at 112 West 48th Street. The studio was named "Studio A1." Manny's[3][11] — a famous music instrument retailer — was one-half of the first 3 floors; Mogull's Film & TV was the other half. Jim and Andy's Bar,[4][12] an important hangout for studio musicians was next door at 116 West 48th Street. Ramone installed an intercom from the studio to Jim & Andy's to call for musicians if someone didn't show-up.[13][10]
In the first studio, Ramone quickly gained a reputation as a good sound engineer and music producer, in particular for his use of innovative technology. According to David Simons, author, the original studio at 112 West 48th St., which was started on a shoestring budget, remains Ramone's greatest legacy.[10]
The studio was designed for the purpose of doing demos. According to Ramone, the room, 11.5 metres (38 ft) by 12 metres (39 ft), had an incredibly unique sound. He attributed much of it to the height of 3.6 metres (12 ft) and before long clients were requesting to do their final tapes there and in no uncertain terms letting it be known that this was no mere demo studio. In a short period of time, Ramone felt the need to upgrade the equipment.
Second studio, Studios A-1 and A-2 — 799 7th Avenue
In October 1967, A & R purchased Columbia's Studio A on the 7th floor at 799 7th Avenue at 52nd Street[14][15] and leased the space, which consisted of about 10,000 square feet (929.0304 m2)[16] Columbia had owned the studio since the 1930s.
- Capacities, as published in 1974:[17]Studio A-1: 40 x 50 feet; height 30 feet – 1,600 square feet (148.6449 m2) – accommodated 90 peopleStudio A-2: 25 x 30 feet; height 12 feet – 750 square feet (69.6773 m2) – accommodated 20 people
Third studio, Studios R-1 and R-2 — 322 West 48th Street
A & R added a third studio in the Leeds Music Corporation building at 322 West 48th Street. A & R became part owner of the building, a 6-story building, and designed recording studios on the first and second floors, named R1 and R2, respectively. The "R" stood for "Ramone." A & R also occupied the basement.[10] 322 West 48th Street is currently the home of American Federation of Musicians Local 802, the New York City musicians' union and the Jazz Foundation of America.
- Capacities, as published in 1974:[17]Studio R-1: 38 x 28 feet; height 13-3/4 feet – 1,064 square feet (98.8488 m2) – accommodated 26 peopleStudio R-2: 20 x 25 feet; height 13 feet – 500 square feet (46.4515 m2) – accommodated 12 people
Launch of A & R Records
In February 1970, A & R Recording launched A & R Records,[18][19] a company that produced albums of artists that included Paul Simon, Billy Joel, George Barnes (musician) and Bucky Pizzarelli.
Satellite studios
In 1970, A & R Recording formalized two partnerships to build two satellite studios, one with Brooks Arthur (né Arnold Brodsky; born 1936)[5] in Blauvelt, New York, and one with Norman (Norm) Fuller Vincent (1930–2014) in Jacksonville, Florida.
914 Sound Studios
The partnership with Arthur was named "914 SRS" and was located at 34 NY Route 303 in Blauvelt. "SRS stood for "Sound Recording Studios." The legal structure of the partnership was in the form of a New York corporation operating as a wholly owned subsidiary of A & R Recording Inc. The entity name was "914 Sound Recording Studios, Inc." The studio, a converted gas station, opened October 1970. Arthur owned one-half, Ramone, Don Frey,[6] and Arthur Downs Ward (1922–2002) owned the other half.[20][21] They sold it in 1978 and the corporation — 914 Sound Recording Studios, Inc. — dissolved in 1982.
Vincent SRS
The partnership with Norman Vincent, et al. was named "Vincent SRS" and was located in Jacksonville, Florida, and opened November 1970. Vincent was the operator.
Closing
A & R Recording closed in 1989.
Selected artists
Artists produced by Ramone include
Clay Aiken
Burt Bacharach
The Band
Bono
Karen Carpenter
Chicago
Peter Cincotti
Natalie Cole
Sheena Easton
Melissa Errico
Gloria Estefan
Billy Joel
Quincy Jones
Patricia Kaas
B.B. King
Julian Lennon
Shelby Lynne
Madonna
Richard Marx
Liza Minnelli
Anne Murray
Olivia Newton-John
Sinéad O'Connor
Fito Páez
Luciano Pavarotti
Peter, Paul, and Mary
June Pointer
André Previn
Diane Schuur
Michael Sembello
Carly Simon
Paul Simon
Rod Stewart
James Taylor
The Guess Who
Frankie Valli
Dionne Warwick
Nikki Yanofsky
Neighborhood
In a 10-block area of midtown Manhattan during the disco era, there was "Media Recording, Hit Factory, Sony, and A&R Recording had two buildings.And last but certainly not least, Record Plant Recording studios @ 321 W.44 th Street, with Four Studios, Duplication room,Two Mobile recoding Trucks, and The Master cuting Room, And the Record plant Shop.
Personnel
In 1972, management of A & R included Robert Gerics (general manager & studio manager), Nick Diminno (studio manager), and Irving Joel (chief engineer). The studio was located at 322 West 48th Street.[22]
Management and shareholders
A & R Recording Inc.
Art Ward, president of the parent company
Phil Ramone, vice president & creative director
John Gordy, president of Visual Sounds, Inc. (VSI), A & R's video subsidiary
Don Frey (né Donald Gregory Frey; born 1927) had been a senior sound mixer at NBC TV in the late 1950s. He became vice president of operations at A & R Recording and ended-up being a partner at A & R for 25 years. He personally engineered sessions for Ray Charles, Nina Simone, Ike and Tina Turner, and many others. During the 1960s, Frey engineered some of the biggest commercials of the decade at A & R, including one of the Yankees theme and ads for Marlboro and Pepsi. Frey's recording sessions involved 40 and 50 people in the room. Frey, in 1988, was instrumental in rebuilding BMG's Studio A in New York.
- According to a 1978 trade magazine article by studio engineer Malcolm Addey, Frey, while a mixer atNBC TV, had been moonlighting at A & R and did a lot of the installation work. His work there became more than he could handle on a part-time basis and he accepted an invitation to work full-time. Don was eventually invited to invest and became vice president in charge of operations.[9][10]
Brooks Arthur Productions, Inc., founded in 1999 as a California corporation, is active and based in Encino, California, and is headed by Arthur.
A & R Records (subsidiary)
Ed Barsky (né Edward Sydney Barsky; 1924–1993), president of A & R Records, based in Los Angeles (founded 1970)
Irving "Bud" Dain, vice president of A&R and promotion
Harriet Margulies, public relations (worked from New York)
Engineers
Brooks Arthur, engineer
Roy Cicala, engineer
Ami Hadani
David Greene, engineer, producer
Roy Halley, engineer
Tom Hidley
Irving Joel, chief engineer
Bob Ludwig, mastering engineer
Tony May, engineer
Elliot Scheiner, engineer, worked 7 years at A & R
Bill Schwartau (né William H. Schwartau; 1926–1985) appointed Chief Engineer at A & R Recording, December 1958[23]
Norman Schwartz (1928–1995), studio technician & sound consultant
David Smith, chief engineer
Fred Weinberg, engineer, producer
Shelly Yakus, engineer
Studio managers
Nick Diminno, studio manager
Robert Gerics, general manager & studio manager
Mitch Plotkin, studio manager