Jackson Casady

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Producer's Pool (2018, Oil on canvas, 48 x 60 inches) [8]

Jackson Casady is an artist based out of Los Angeles, California​. Casaday is well known for his paintings and drawings​ depicting the culture​of Hollywood​ and the entertainment industry​. [5]

Early Life and Education

Jackson Casady is originally from Manhattan Beach, California and is the son of Cort Cassady, a two-time Emmy Award​ winning television writer-producer.​ [10]​ [11] He is a graduate of Mira Costa High School. [5] ​ Casady attended the University of Virginia graduating with a double major Bachelor of Science​ in Studio Art and Commerce​ with a concentration in Marketing in 2017​. [5]​ [6] [4]

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Jack Nicholson​ Dropped His Cocaine​ And It Looks Like John Belushi​ (2018, Acrylic on paper, 20 x 24 inches) [8]

Career

Early in his career, Casady was a film studio employee and production assistant, working at major companies such as Siltanen + Partners, Bluegrass Films, the American Film Institute ​, Warner Brothers ​, and New Line Cinema ​. [6] ​ For nearly a year, Casady worked as a Gallery Assistant for Kevin Barry Fine Art. [6]

Art

Casady's paintings and drawings focus on "celebrating and critiquing a glamorous yet grotesque lifestyle in Hollywood." His work has a yin and yang​ pattern of being simultaneously nostalgic and contemporary, dreamlike and nightmarish, and glamorous and grotesque. [4] [2]

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They Saw It Coming (2018, Oil on canvas, 48 x 60 inches) [8]

Casady's works (e.g. Hollywood Disco) are inspired by entertainment industry​, which is filled with larger-than-life characters and personalities and defined by a seemingly dreamlike lifestyle. Commenting on this world, his art works depict several different narratives, boasting a cast of glamorous and grotesque figures. While these works celebrate the spectacle of Hollywood’s intrigue and reflect his own experience as a film studio employee, production assistant, Los Angeles resident, and son of a writer-producer, they also critique the industry, commenting on its monstrosity, exclusivity, whiteness, cruelty, idealization, sexual objectification​ of women, and the phenomenon that is celebrity​. Formally, the works are full of color and light, stylistically representational with an overall looseness and abstraction that comments on the industry’s tenuous obsession with both faux and actual reality. The invented, dynamic, energetic, and complex compositions show pockets of drama like the party or 'disco' that is Hollywood. [4]

Casady's paintings have been featured in Impact Art Gallery in Los Angeles, California​ alongside works by Alex Yost, Bar Ben Vakil, Andy Warhol​, KAWS, The Suited Racer, Tigran Tsitoghdzyan​, Pablo Picasso​, Montblak, Jean-Michel Basquiat​, Julia Ryan, and David Weeks. [9]​ [4]

List of Works

Paintings

  • Hollywood Squares (2018, Oil on canvas, 48 x 48 inches) [8]
  • Waiting for Michelle Pfeiffer​ (2018, Acrylic on paper, 34 x 45 inches)
  • Producer's Pool (2018, Oil on canvas, 48 x 60 inches)
  • Jack Nicholson​ Dropped His Cocaine​ And It Looks Like John Belushi (2018, Acrylic on paper, 20 x 24 inches)
  • They Saw It Coming (2018, Oil on canvas, 48 x 60 inches)
  • Please No No Smoking (2018, Acrylic on canvas, 48 x 72 inches)
  • Over Stepping (2018, Acrylic on canvas, 48 x 48 inches)
  • Locals (2018, Oil on canvas, 44 x 44 inches)
  • Ballroom Glossies (2018, Oil on canvas, 36 x 48 inches)
  • Speakeasy (2018, Acrylic on canvas, 24 x 30 inches)
  • Golden Mamacita (2018, Oil on canvas, 24 x 36 inches)
  • Sunset Over Sea Oats (2018, Oil on canvas, 36 x 48 inches)
  • Lost on the Carpet (2017, Oil on canvas, 30 x 48 inches)
  • The Audition (2017, Oil on canvas, 24 x 48 inches)
  • Run Baby! (2017, Oil on canvas, 24 x 48 inches)
  • Coop's Going Places (2017, Oil on canvas, 24 x 36 inches)
  • The Island (2017, Acyrlic on board, 20 x 30 inches)
  • Nice Bear (2017, Oil on canvas, 36 x 36 inches)
  • Malibu Party (2017, Oil on canvas, 24 x 36 inches)

  • Hollywood Disco (2017, Oil on wood panel, 36 x 48 inches)
  • Yellow Dress (2017, Oil on wood panel, 36 x 48 inches)
  • Exhibitor Services (2017, Oil on canvas, 24 x 36 inches)
  • The Very Bad Monologue (2017, Oil on canvas, 24 x 24 inches)
  • Two Please (2017, Oil on canvas, 24 x 30 inches)
  • Government Shutdown (2017, Acrylic on Board, 32 x 40 inches)

Drawings

  • Sgt. Pepper's Parking Lot (2018, Ink and gouache on paper, 8 x 10 inches)
  • Martini's Man (2018, Ink and gouache on paper, 8 x 10 inches)
  • Sunset Over Twister (2018, Acrylic, gouache, and ink on paper, 8 x 10 inches)
  • Gold Ghini​ XXX (2018, Acrylic, gouache, and ink on paper, 8 x 10 inches)
  • Birthday Boy (2018, Acyrlic and gouache on paper, 8 x 10 inches)
  • Miss Worldwide (2018, Acyrlic and gouache on paper, 8 x 10 inches)
  • Horizontal Palm (2018, Acyrlic, gouache, and graphite on paper, 8 x 10 inches)
  • White Hammer (2018, Acyrlic on paper, 8 x 10 inches)
  • White Hammers (2018, Acyrlic on paper, 8 x 10 inches)
  • Open Bar (2018, Ink on paper, 36 x 48 inches)
  • Easters at the University of Virginia (2015, Ink on paper, 48 x 60 inches)
  • Rot, Riot, & Rebellion (2016, Gouache on paper, 36 x 45 inches)
  • Locker Room (2016, Gouache on paper, 22 x 36 inches)
  • L.A. Apartment, 1969 (2016, Gouache on paper, 11 x 14 inches)
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