Lost Horizon is a 1973 American fantasy musical film, directed by Charles Jarrott and starring Peter Finch, Liv Ullmann, Sally Kellerman, George Kennedy, Michael York, Olivia Hussey, Bobby Van, James Shigeta, Charles Boyer, and John Gielgud.^[3] It was also the final film produced by Ross Hunter. The film is a remake of Frank Capra's film of the same name, with a screenplay by Larry Kramer. The stories of both this version and that from 1937 were adapted from James Hilton's novel Lost Horizon.

Lost Horizon was lambasted by critics at the time of its 1973 release, and its reputation has not improved since. It was selected for inclusion in the book The Fifty Worst Films of All Time, co-written by critic Michael Medved, and is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.^[4] The film was also a box office bomb, losing an estimated $9 million.^[5]

This musical version is much closer to the 1937 film than to the original James Hilton novel. It tells the story of a group of travelers whose aeroplane is hijacked while fleeing a bloody revolution. The aeroplane crash lands in an unexplored area of the Himalayas, where the party is rescued and taken to the lamasery of Shangri-La. Miraculously, Shangri-La, sheltered by mountains on all sides, is a temperate paradise amid the land of snows. Perfect health is the norm, and inhabitants live to very old age while maintaining a youthful appearance.

The newcomers quickly adjust, especially Richard Conway (Peter Finch), the group's leader. He falls in love with Catherine (Liv Ullmann), a schoolteacher. Sally Hughes (Sally Kellerman), a drug-addicted photographer, is suicidal at first, but begins counselling with lamas Chang (John Gielgud) and To Len (James Shigeta) and finds inner peace. Sam Cornelius (George Kennedy) discovers gold, but Sally convinces him to use his engineering skills to bring better irrigation to the farmers of Shangri-La instead of attempting to smuggle out the gold. Harry Lovett (Bobby Van) is a third-rate comic and song and dance man who has a flair for working with the children of Shangri-La.

Everyone is content to stay except Conway's younger brother, George (Michael York). George has fallen in love with Maria (Olivia Hussey), a dancer, and wants to take her along when he leaves. Chang warns Richard that Maria came to Shangri-La over 80 years before, at the age of 20. If she were to leave the valley, she would revert to her actual age.

Richard is summoned to meet the High Lama (Charles Boyer), who informs him that he was brought there for a reason, to succeed him as the leader of the community. However, on the night that the High Lama dies, George and Maria insist to Richard that everything the High Lama and Chang have said is a lie. They convince him to leave immediately.

Still in shock from the High Lama's death, Richard leaves without even saying goodbye to Catherine. Not long after their departure, Maria suddenly ages and dies, and George falls to his death down an icy ravine. Richard struggles on alone, ending up in a hospital bed in the Himalayan foothills. He runs away, back to the mountains, and miraculously finds the portal to Shangri-La once more.

Ross Hunter made his name producing remakes at Universal, including Magnificent Obsession and Imitation of Life. Lost Horizon had been adapted on Broadway as Shangri-La in 1956.

In April 1971 Hunter left Universal after an association of over 20 years. He set up operations at Columbia where his firt film was to be Lost Horizon.^[6]

"Burt Bacharach and I have been talking about doing a picture together for years," said Hunter in 1971. "But Burt's been saying 'I've made so much money that when I do a movie I want it to last. Then maybe my movie will last."^[7]

Hunter called the film "a picture of hope, of faith with a spiritual quality. We all need that with the pressures of the world... Everyone's looking for a place that has peace and security."^[7]

Hunter had a role in the film written for Helen Hayes.^[8]

In December 1971 Charles Jarrott signed to direct.^[9]

In February 1972 Peter Finch signed to star.^[10]

In March 1972 Hermes Pan signed to do choreography.^[11]

Larry Kramer has publicly acknowledged that he is not particularly proud of his workmanlike job adapting the original film's script for this film. However, the deal he engineered for his work on the film—hot on the heels of his Oscar nomination for the screenplay for Women in Love—combined with skilled investments, made it possible for him to live the rest of his creative life free of financial worries. In that sense, this film enabled Kramer to devote himself to the gay community activism and the writings (e.g., his AIDS play The Normal Heart) which came later.

Star Peter Finch did say he enjoyed making the film.^[12]

Lost Horizon is considered one of the last of several box-office musical failures of the late 1960s and early 1970s, and also the last musical film to be given the roadshow release, which came in the wake of the success of The Sound of Music.^[13] Attempts to update the idea of Shangri-La with its racial inequalities intact, coupled with old-fashioned songs, effectively sealed its fate according to The New Yorker film critic Pauline Kael. She noted that Shangri-La was depicted as:

Roger Ebert of the Chicago Sun-Times gave the film one star out of four and wrote that "it sinks altogether during a series of the most incompetent and clumsy dance numbers I've ever seen."^[15] Gene Siskel of the Chicago Tribune also awarded one star out of four and wrote that "Nothing works. Not the lyrics, not the sets, not the dancing, not the script, and—with all that going against them—not the actors."^[16] Vincent Canby of The New York Times called the film "a big, stale marshamallow" that was "surprisingly tacky in appearance" despite its large budget.^[17] Charles Champlin of the Los Angeles Times wrote that the film looked "tacky and uncomfortable" and described the songs as "mechanical and uninteresting."^[18] Gary Arnold of The Washington Post wrote that the score "leaves almost no impression and certainly nothing resembling a joyful impression", adding, "Even if the songs did make you dance with joy, you'd be dancing alone. With the exception of Bobby Van, a kind of poor man's Donald O'Connor, the cast has no aptitude for singing and dancing."^[19]

After derided preview screenings^[20] Columbia Pictures attempted to re-cut the film, but to no avail. Critic John Simon remarked that it "must have arrived in garbage rather than in film cans." Lost Horizon was such a box office failure that the film subsequently gained the nickname "Lost Investment".^[21] Bette Midler alluded to it as "Lost Her-Reason" and famously quipped, "I never miss a Liv Ullmann musical".^[22] Woody Allen quipped "If I could live my life over again I wouldn't change a thing... except for seeing the musical version of Lost Horizon".

The film was selected for inclusion in the book The Fifty Worst Films of All Time, co-written by critic Michael Medved. The film is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.^[23]

In his 2013 autobiography, Burt Bacharach cites Lost Horizon as very nearly ending his musical career.^[24] He stated that the songs worked when taken in isolation, but not in the context of the film. The Bacharach-David partnership, which had been long and both critically and financially successful, was effectively terminated by their experiences working on the score. Bacharach felt that the producers were sanctioning weakened versions of his music, and he attempted to exert greater influence over what was being developed. However, this led to him being banned from the editing suite at Todd-AO.^[25] Bacharach felt that he had been left to defend his position alone, and that Hal David had been inadequately supportive. This led to an exchange of lawsuits, destroying their professional relationship.^[26] Bacharach's own vision of the music was later realised in his album Living Together (1974).

Of the lead actors, only Sally Kellerman, Bobby Van, and James Shigeta perform their own singing. George Kennedy was coached by Bacharach but was not used as a vocalist in the finished film. Olivia Hussey, Peter Finch and Liv Ullmann were dubbed by Andra Willis, Jerry Whitman, and Diana Lee respectively. Some of the children who provided the singing voices of the children of Shangri-La were Alison Freebairn-Smith, Pamelyn Ferdin (a popular child actress of the 1960s and 1970s, who was the original voice of Lucy Van Pelt in the Peanuts TV specials), Harry Blackstone III, David Joyce and Jennifer Hicklin.

The soundtrack was moderately more successful than the film, peaking at #56 on the Billboard 200. Commercially successful singles were issued of both the title song, performed by Shawn Phillips, and "Living Together, Growing Together" by The 5th Dimension, the latter being the band's last top 40 hit on the Billboard pop charts. The song "Things I Will Not Miss" was covered by Diana Ross and Marvin Gaye during recording sessions for the 1973 album Diana and Marvin. Tony Bennett recorded "Living Together, Growing Together" and "If I Could Go Back" for MGM/Verve. Richard Harris sang "If I Could Go Back" to the original musical arrangement made for the movie in the 1973 TV special Burt Bacharach in Shangri-La. Bacharach later reworked "Living Together, Growing Together" for his 1974 album of the same name, rewriting the rather ponderous opening verse as a bridge within the song.^[27][28]

Large parts of the score were deleted after the film's roadshow release. The dance sections of "Living Together, Growing Together" were cut, and "If I Could Go Back", "Where Knowledge Ends (Faith Begins)", and "I Come to You" were cut, but restored for the laserdisc release of the film. All of the songs appear on the soundtrack LP and CD. According to the notes on the laserdisc release, Kellerman and Kennedy had a reprise of "Living Together, Growing Together" that was also lost.

Hunter wanted to follow up the movie with another musical Hollywood Hollywood set in Hollywood in the 1930s.^[29] It was never made.

On October 11, 2011, Columbia Classics, the manufacturing-on-demand unit of Sony Pictures Home Entertainment, released a fully restored version of the film on DVD in Region 1, which reinstated all of the elements cut after the roadshow release. The DVD also contains supplemental features, including promos featuring producer Ross Hunter as well as the original song demos played and sung by composer Burt Bacharach. Some of these demos contain different Hal David lyrics from those in the final versions utilized in the film.

On December 11, 2012, Screen Archives Entertainment (Twilight Time) released an exclusive Blu-ray Disc version of the film, with a 5.1 lossless soundtrack and an isolated film score.