Enrique Alférez was a Mexican-American artist who specialized in sculpting architectural reliefs and the human form.

Born in a rural village in northern Mexico, Alférez was introduced to sculpture by his father, a woodworker who was trained . He ran away at age 12, and was conscripted into the Constitutional Army during the Mexican Revolution. In 1920, he fled his home country and made his way to El Paso, Texas, where he found work as a photographer's assistant. It was here he attended a lecture presented by art teacher Lorado Taft, who was visiting El Paso on an Art Institute of Chicago tour. Seeing potential in the young man, Taft encouraged Alferez to come study under him in Chicago, which he did from 1927 through 1929.^[1]

After completing his education in 1929, he moved to New Orleans, Louisiana, where he spent much of the rest of his life. He later married an American woman named Margaret, with whom he had a daughter.^[2]

His sculptures and reliefs adorn many parks, buildings, and landmarks in the New Orleans Metropolitan Area, many of them commissioned by the Works Progress Administration. Some of the most notable include those in City Park, as well as the "Molly Marine" statue, the first American sculpture to depict a woman in military uniform^[3][4] His fountain at New Orleans Lakefront Airport is a well known local landmark. He made reliefs for a number of buildings, including the Charity Hospital Building^[5] in New Orleans and the Palmolive Building in Chicago.

Alférez was not only a sculptor, and actively produced work in other artistic disciplines. Notably, he painted an official portrait of Senator Huey P. Long (who he personally loathed, as he revealed decades later).

Alférez remained active into his later years, both as a working artist and an art teacher. In 1993, he appeared in a PBS American Experience documentary entitled "The Hunt for Pancho Villa".