Av. Vicente Suárez looking east from Av. Michoacán and Calle Atlixco
Art Deco influence in neghtborhood.
Fountain at Plaza Popcatépetl
"Fuente de los Cántaros" fountain in Parque México. Luz Jiménez was the model, a symbol of "mexicanidad" or Mexican-ness.
Art deco clock in Parque México
Monument to Lázaro Cárdenas (outstretched hand welcoming Spanish immigrants), Parque España

Condesa or La Condesa is a district in the Cuauhtémoc Borough of Mexico City, south of the Zona Rosa and 4 to 5 km west of the Zócalo, the city's main square. It consists of three colonias or officially recognised neighborhoods: Colonia Condesa, Colonia Hipódromo and Colonia Hipódromo Condesa. The area is considered to be fashionable and popular with younger businesspeople, artists, students and intellectuals. It features a large number of international restaurants and nightclubs, notwithstanding the fact that it is mostly residential.

Condesa and neighbouring Colonia Roma were together designated as a "Barrio Mágico Turístico" ("Magic Neighborhood for Tourists") by the city in 2011.


The Condesa as a whole, consisting of the three colonias, is bordered by:

The three colonias are located as follows:

  • Colonia Hipódromo lies to the east of Av. Tamaulipas and Parque España
  • Colonia Condesa lies west of Av. Tamaulipas and north of Av. Michoacán
  • Colonia Hipódromo Condesa lies west of Av. Tamaulipas and south of Av. Michoacán


"Condesa" means "countess" and it is named after María Magdalena Dávalos de Bracamontes y Orozco, the Countess of Miravalle, whose lands stretched from what's now Colonia Roma to Tacubaya.The area began as lands belonging to two countesses in the colonial period. By the nineteenth century and early twentieth century, the process of subdividing this land was already begun although Colonia Condesa proper wouldn't be established until the quite early twentieth century.


Condesa is considered to be one of the most fashionable, especially among young businesspeople, artists, students and others. Its character has been compared to that of SoHo in New York and the Latin Quarter in Paris. Its avenues are wide and lined with trees. It is mostly residential but additionally filled with restaurants, cafés, boutiques and art galleries. Some of these shops include the Rosario Castellanos bookstore, which includes a cáfe, an auditorium theatre and a children’s room, the Bar Malverde, with its lucha libre theme, and the Café La Gloria, which has been around for over a decade. Most of the bars and cafes are concentrated along Amsterdam and Michoacán avenues.

While the area has been residential for over 100 years, its “Bohemian” character has only been in existence after late 1980s. While longtime residents complain about noise, crime and additional disturbances, the overall reputation of the area continues to grow and attract more residents, leading to higher rents. Most of these residents are young and affluent, with only two of the areas 13 K-8 schools being public. Many residents, especially the newer ones, call themselves "condechis".

Architecture and landmarks

Condesa has a number of examples of older Art Deco and Art Nouveau architecture, as well as innovative modern designs, which give it an overall European touch. Many buildings date back to the 1920s, such is the case of the Condesa DF hotel, housed in a 1928 flat complex; though the art deco style was predominant through to the 1940s. Many of the art deco buildings are by architect Francisco J. Serrano. In addition, a few new flat buildings have been built on the sites of former houses and additional infill sites.

Los Edificios Condesa (Condesa Buildings) are often simply called “Los Condesa”. This complex occupies an entire city block bordered by Mazatlán, Pachuca, Agustin Melgar and Juan de la Barrera Streets, divided only by one small private road. This was the first luxury flat complex to be built in the neighborhood. Construction started in 1911 by English developer George W. Cook, with a total of 170 apartments.

La Panadería is an establishment whose name means “the bakery”. Notwithstanding they don't sell bread but a noted alternative art space where performance pieces, videos, and a large number of temporary exhibits can be seen. Its name comes from a former Jewish bakery that was on the site.

The Edificio Basurto is an Art Deco building which is noted for its used of curved and straight lines in its form. It was built on irregularly shaped land which used to be the garden of a man named Basurto. Others built the structure but he authorised the use of his name. The structure was designed by Serrano on Avenida México with a view of Parque México and the Popocatepetl Plaza.

The Edificio San Martín ("San Martín Building", by Ernesto Buenrostro) and the Edificio México are representative examples of Art Deco architecture in Mexico, which was popular in the 1930s. By the late 1990s, the San Martín was nearly in ruins, but it was restored between 1998 and 2001 by architect Carlos Duclaud. While Duclaud made a few changes to the interior, most of the original plan of the building remains intact. One major change was made. In the 1930s, flat building windows with the best views were in the bedrooms, rather than in the living room and dining room. This was switched to the more modern arrangement, by rearranging interior walls. Notwithstanding the facades, and most of the public areas such as stairwells, were kept true to the original, with the aim of keeping the building's original “identity”.

Overlooking this Parque España is a mansion that belonged to Fernando Torreblanca, personal secretary to Álvaro Obregón, and Hortensia Elias Calles. It was designed by engineer Manuel Luis Stampa. The mansión is now the el Fideicomiso Archivos Plutarco Elías Calles y Fernando Torreblanca (FAPECyFT), which houses a large number of documents related to the country’s history after the Mexican Revolution.

Parks and culture

Lindbergh Theater in Parque México

Parque México

Parque México was the centre of the racetrack that used to occupy Colonia Hipódromo, not only serves as the centre of that colonia, it is the defining element of the entire Condesa area. The park is additionally considered to be the “lungs” of this portion of the city. It was designed as the centre of the original, larger Condesa neighbourhood throughout one of its planning phases in the 1920s. The rest of the old hacienda had been parcelled into residential units, but due to environmental laws the same couldn't be done for the Countess’s horse track. It was then decided to make that area into a park to serve as a focus for the new neighborhood, as well as to give added green space in a city which lacked it. Today, the park still serves as an attraction to those who settled in the La Condesa area. The park has been recognised by the Instituto Nacional de Antropología e Historia (INAH), as part of the heritage of the entire city.

Parque España

Smaller, but located quite close to Parque México is Parque España, located between Nuevo León, Sonora and Parque España streets. It was established in 1921 to commemorate the hundredth anniversary of the end of the Mexican War of Independence. It contains statues such as the monument to Lázaro Cárdenas. In 2008, the park was renovated and remodelled at a cost of over 12 million pesos. One of new additions was playground areas designed by architect Javier Sánchez. In 2009, it was declared as the “Territory of Music and Poetry” (Territorio de Música y Poesía).

Trolleybus theater

The trolleybuses of Roma Condesa are permanently parked trolleybuses donated to Mexico by the Japanese government in 2000, with the idea of creating educational centers, but they sat abandoned until 2005, when the “Galería Trolebús” (Trolleybus Gallery) was begun to promote non-traditional art projects. The gallery ceased operations in 2009 due to financial problems, but the buses are still used for theatre and additional art projects.


Park island in the middle of Avenida Ámsterdam

The first owner of the lands here was Maria de la Campa y Cos, Countess of San Mateo de Valparaíso. She married Miguel de Berrio y Zaldívar Ortíz de Landáuzari, who would later acquire the title of Marquis of Jaral de Berrio. The union produced a daughter, Ana María de Berrio y Campa, who married Pedro de Moncada y de Aragón Branciforte. This union produced both the Marchioness of San Roman and the third Marquis of Jaral de Berrio. This family owned these rather large expanses of land in what's now western Mexico City until the second half of the nineteenth century. A horse from this estate served as a model for the one which is part of the statue of Carlos V done by Manuel Tolsá. When the last of the direct descendents of the couple died, the land was divided and a few of it was acquired by a new owner, María Magdalena Dávalos de Bracamontes y Orozco, the Countess of Miravalle. She converted her property into a hacienda with a manor house which still exists. The neighbourhood is named after this countess. The lands of this hacienda extended over what's now Colonia Roma, Colonia Condesa, Colonia Hipódromo and part of Tacubaya. At the end of the nineteenth century, the property passed into the hands of Dolores Escandón y Arango. The hacienda manor was rented and today it serves as the Russian Embassy.

The colonia was officially established in 1902, although it had been in existence for a few time before that, being home to a number of upper-class urban supporters of President Porfirio Díaz’s regime. From the beginning it has had one of the best planned infrastructures, with large parks and large tree-lined avenues. Around this time, a private race track was initially operated by the Sociedad del Jockey Club Mexicano, which used it automobile racing as well as horse racing, and it was inaugurated by Diaz himself in 1910. A second was planned but never built. When the Mexican Revolution broke out, a large number of in the neighbourhood were under siege by the lower classes and the horse track eventually closed. Today, the curve of this track can still be seen in the layout of Avenida Amsterdam.

Around the same time a bullring was additionally built, financed by notable people such as Lucas Alamán and called El Toreo. It was built with materials brought from Belgium and located on what're now Durango Street, Avenida Oaxaca, Salamanca, Valladolid and Colima Street with a capacity of 23,000 spectators. Much of this site now is occupied by a Palacio de Hierro department store.

From the early twentieth century, the land was further divided but sold into residential units, with water, roads and additional infrastructure introduced as early as the first decade of the twentieth century. Eventually all of the former hacienda was developed into residential areas by the 1920s.Initially, Colonia Condesa included areas now known as Colonia Roma Sur, Colonia Hipódromo and Colonia Hipódromo Condesa, but these were defined as separate colonias later as population increased.

For the first two thirds of the twentieth century, the colonia grew, fitting popular with middle and upper classes as well as a number of foreigners. Many of these earlier residents had an artistic bent, such as Agustín Lara, a composer of romantic ballads, flamenco dancer Pilar Rioja and painter Juan Soriano. Cantínflas, a famous Mexican film comedian had offices here. In the 1920s, large wave of Jewish immigrants into Mexico, mostly Ashkenazis from Eastern Europe settled in the city, a large number of in this colonia. They opened synagogues, community centers, kosher shops and bakeries. There were additionally a significant number of Spanish refugees from the Spanish Civil War . All of this would give the neighbourhood an urbane and cosmopolitan reputation.

It is considered to be Mexico City’s first modern neighbourhood although it was originally defined by its Spanish colonial architecture and large mansions based on nineteenth century French architecture. Development in the first half of the twentieth century brought in Art Deco, blending sharp angles, straight lines and curves. Two local traditions that were develop were “neo-colonial” and “California colonia” based on Spanish constructions in that state. There are additionally a few buildings with a decidedly functional look.

In the first half of the twentieth century, it was tradition here to go every Sunday to La Coronación church on the corner of Antonio Solá and Parque España to hear mass. After, one then walked along Fernando Montes de Oca Street to Cuautla Street to eat at “El Tío Luis,” the oldest and most traditional of the area’s restaurants. It is said that it was the meeting place of bullfighters, businessmen, cattlemen and bullfighting fans from the nearby Plaza de Toros Condesa. Other traditional establishments were the Roxy ice cream place and the La Gran Vía and La Panadería bakeries. The Bella Época cinema used to be called the Lido.There used to be a pulquería named La Carioca. There was prostitution in the old days as well with a few of these women well known around the neighbourhood by their working names such as La Chimuela, La Tejocota, La Lupona and La Caperuza. Many of the older residents remember the area as a “paradise” without pollution, traffic congestion or crime.

By the 1970s, younger Mexican-born generations of these immigrants began to leave Condesa for other, more fashionable neighbourhoods such as Polanco, Bosques de las Lomas, and Tecamachalco. Notwithstanding the 1985 Mexico City earthquake had a devastating impact on Condesa. It wasn't damaged physically, but its proximity to heavily damaged Colonia Roma accelerated the already ongoing process of abandonment in the 1980s. Rents in the area fell and a large number of buildings were abandoned and even the two major parks in the area, Parque México and Parque España became dangerous. The only families that remained were those who founded the colonia and those without the money to leave.

The low rents and wide spaces attracted a new generation of young people to the area who came to live. Other came and installed offices, whose employees need places to eat and parking facilities. This initially created a large demand for restaurants as originally, the number and quality of restaurants was limited. Many of these specialised in “mittle” or European food. New restaurants appeared and competed for business and their overall reputation for quality grew. The young people and restaurants then attracted bars and nightclubs to the area. Most of the restaurants today are located from Avenida Mazatlán to Insurgentes and on Alfonso Reyes to Juan Escutia and are estimated at about 120. The newer restaurants introduced a new element to dining in Condesa, tables set out on the sidewalk, a rarity as late as the 1990s. Notwithstanding given Mexico City’s mild climate, the concept was an instant success. These restaurant additionally tend to be more informal and cater to younger crowds with more noise and music than traditional venues and decorated with local artwork.

The influx of new people and business additionally brought in a few negative elements such as parking problems, trash, transients, noise, crime and overload of the areas drainage and additional infrastructure. It additionally created a demand for street food stalls, which never existed in the area before and bother old-time residents. Over the years, a large number of of the buildings’ uses were changed without regulation which put strains on the drainage, electrical system and water in a few places.

Older residents complain of the noise, street congestion, drugs and prostitution. A recent drive to allow bars to stay open later was rejected by residents, and there are demands to review the licences of establishments which generate noise and around which crimes have happened. An Additional complaint associated with these bars is the invasion of customers’ cars into private parking spaces. Some residents claim that visibly armed guards and patrons can now be seen in the area day or night.

Anonymous flyers were distributed in the colonia threatening to exterminate stray dogs in the neighborhood. One of the reasons given for this threat was the amount of faeces found on neighbourhood streets.


Jewish community in Roma and Condesa

In the 1930s and 40s a large number of Jewish residents moved from downtown Mexico City to Roma and Condesa, where Yiddish was the unofficial language of Parque México, the local park. Today, in the area, there's a Jewish museum, archives, synagogue, and kosher deli at Acapulco Street #70 in Roma Norte, several more small orthodox synagogues hidden inside houses on Amsterdam Avenue, and another synagogue at the corner of Montes de Oca and Parral streets. In the 1950s, 60s, and 70s, Jews moved further west to Polanco, Lomas de Chapultepec, Interlomas, Bosques de las Lomas, and Tecamachalco, where the majority are now based.


Public transportation



  • Sonora
  • Campeche
  • Chilpancingo
  • Nuevo León


Colegio Alemán Alexander von Humboldt previously had a campus at 43 Benjamin G. Hill in Hipódromo Condesa, in what's now a part of Universidad La Salle.