Apple Inc. has always used a large variety of typefaces in its marketing, operating systems, and industrial design. These always change throughout the years with Apple's change of style in their products. This is evident in the design and marketing of them.
For at least 18 years, Apple's corporate typeface was a custom variant of the ITC Garamond typeface called Apple Garamond. It was used alongside the Apple logo for product names on computers, in many ads and printed materials, and on the company's website. Since 2001, Apple has gradually shifted towards using Myriad in its marketing.
Prior to adopting the bitten Apple as its logo, Apple used a complex logo featuring Isaac Newton sitting below an apple tree. The words APPLE COMPUTER CO. were drawn on a ribbon banner ornamenting the picture frame. The frame itself held a quotation from Wordsworth: "Newton...A Mind Forever Voyaging Through Strange Seas of Thought...Alone." The logo was hand drawn and thus did not use an established font. However, the type is similar to Caslon, with some idiosyncratic details, such as an R deviating from the general style.
Prior to the first Macintosh, alongside the Apple logo, Apple used a typeface called Motter Tektura, which was designed in Austria by Othmar Motter of Vorarlberger Graphik in 1975 and distributed by Letraset (and also famously used by Reebok). At the time, the typeface was considered new and modern. One modification to the typeface was the removal of the dot over the i. The s was also modified for the label on the Disk II 5.25-inch floppy disk drive.
According to the logo designer, Rob Janoff, the typeface was selected for its playful qualities and techno look, which were in line with Apple's mission statement of making high technology accessible to anyone. Janoff designed the logo in 1977 while working with Palo Alto marketer Regis McKenna. The Apple logo's bite mark was originally designed to fit snugly with the Motter Tektura a.
In the early 1980s, the logo was simplified by removing computer ınc. from the logo. Motter Tektura was also used for the Apple II logo. This typeface has sometimes been mislabeled Cupertino, a similar bitmap font probably created to mimic Motter Tektura.
Upon the introduction of the Macintosh in 1984, Apple adopted a new corporate font called Apple Garamond. It was a variation of the classic Garamond typeface, both narrower and having a taller x-height. Specifically, ITC Garamond (created by Tony Stan in 1977) was condensed to 80% of its normal width. Presumably, Apple felt that the existing ITC Garamond Condensed, at 64%, was too narrow. Bitstream condensed the font, subtly adjusted the stroke widths, and performed the hinting required to create the font, which was delivered to Apple as the Postscript font "apgaram".
In cases where the Apple logo was accompanied by text, it was always set in Apple Garamond. Aside from the company name, most of Apple's advertising and marketing slogans, such as "Think different.", used the font as well.
The typeface was virtually synonymous with Apple for almost two decades and formed a large part of the company's brand recognition. It was used not only in conjunction with the logo, but also in manuals and ads and to label products with model names.
Apple has not released the true Apple Garamond font. ITC briefly sold ITC Garamond Narrow—Apple Garamond without the custom hinting—as part of its Apple Font Pack in the 1990s. A version of the font was also included under a different name in some versions of Mac OS X prior to 10.3 as it was used by the Setup Assistant installation program.
Later in 1984, Helvetica Black appeared in Apple IIc packaging materials for the monitor, monitor stand, and Apple Modem 300 for the IIc. This is in contrast to the Garamond found on the main IIc packaging.
Throughout the 1990s, Apple continued to use Helvetica Black for header text, in conjunction with Apple Garamond for body text, on various marketing brochures and booklets.
In the marketing of the Newton/Notepad/MessagePad PDA (starting in 1992), Apple used Gill Sans instead of the regular Apple Garamond. Gill Sans Regular was used in the logo, for the model name on the computer, the keyboard and in advertisement materials, though it was not used as a screen font (except as part of the Newton logo).
In 2002, Apple gradually started using a variant of the Adobe Myriad font family in its marketing and packaging. As new revisions of its products were released, the text changed from the serif Apple Garamond to the sans-serif Myriad Apple. The family's bolds were used for headlines, and other weights accordingly.
The Myriad font family was designed by Robert Slimbach and Carol Twombly for Adobe. Adobe's most recent version of Myriad is Myriad Pro, which has some additional enhancements and character set extensions, but is not significantly changed in design. Myriad Apple, a modification produced by Galápagos Design Group, incorporates minor spacing and weight differences from the standard varieties, and includes Apple-specific characters, such as the company logo. In 2006, Myriad Apple was superseded by Myriad Set, which contains extra ligatures and other minor changes.
As of November 2013, lighter fonts are prevalent in Apple's marketing, with headlines in Myriad Pro Light. Occasionally an even lighter variant of Myriad is used for specialized marketing materials and press releases.
Products (System Fonts)
Apple's earliest computers, along with other personal computers of the period, had extremely limited graphical capabilities and could originally display only uppercase ASCII using a set bitmap font.
The IIc and Enhanced Apple IIe supported 40 or 80 columns of text and an extended character set called MouseText. It was used to simulate simple graphical user interfaces, similar to the use of ANSI X3.64.
Apple's first computer with a purely bitmapped display, Lisa, shipped in 1983. It used a system font with distinctive V and W letterforms.
Chicago (Macintosh, iPod)
When released in 2001, Apple's iPod music player reused the Macintosh font Chicago as the system font. Later versions of the iPod drew from the larger character repertoire of the TrueType Chicago, adding a number of characters not present in the bitmap Chicago, such as Greek and Cyrillic. Even though the screen supported grayscale, the characters were not anti-aliased.
Shaston (Apple IIGS)
The Apple IIGS, introduced in 1986, had very rectangular pixels (640 by 200), thus requiring a stout, 8-point bitmap font called Shaston 8 as the system font (for menus, window titles, etc.). Shaston was described in Apple IIGS technote #41 as "a modified Helvetica", but the similarities are not striking. The fonts of the original Macintosh were also available for the GS.
Espy Sans (Newton, eWorld, iPod mini)
In 1993, Apple's Human Interface Group designed the typeface Espy Sans specifically for on-screen use. It was first used for the Newton OS GUI. The Newton used the font Apple Casual to display text entered using the Rosetta handwriting recognition engine in the Newton. The same font found its way into the Rosetta-derived writing recognition system in Mac OS X—Inkwell. The TrueType font can be made available to any application by copying the font file, which is embedded in a system component, to any . (See List of fonts in Mac OS X for more information.) The Newton logo featured the Gill Sans typeface, which was also used for the Newton keyboard.
Espy Sans was later used as the font for Apple's eWorld online service in 1994. (eWorld also used the larger bold condensed bitmap font eWorld Tight for headlines. The metrics of eWorld Tight were based on Helvetica Ultra Compressed.)
Charcoal (Mac OS 8)
In Mac OS 8, introduced in 1997, the system font of Mac OS was changed to Charcoal. Charcoal was designed to be easier to read than Chicago, while retaining similar metrics for backward compatibility with existing application software.
Lucida Grande (Mac OS X)
Since its introduction in 2001 up through OS X Mavericks, Lucida Grande was the system font used in Mac OS X user interface elements, such as menus, dialog boxes, and other widgets. It has been superseded by Helvetica Neue.
Podium Sans (iPod photo)
Starting in 2004, the iPod photo, 5th-generation iPod, and 1st- through 2nd-generation iPod nano feature a bitmap font known as Podium Sans, displacing the use of Chicago as the iPod system font. Although originally promoted as Myriad, Podium Sans is missing Myriad's trademark features, such as the splayed "M" and distinctive "y".
Helvetica and Helvetica Neue (iPhone)
Since the introduction of the 1st-generation iPhone in 2007, Apple has used Helvetica in its software design. iOS for the iPhone, iPod touch, iPad, and Apple TV employs the font, alongside its use on iPods beginning with the 6th-generation iPod classic and 3rd-generation iPod nano.
In conjunction with the iPhone 4 in 2010, Apple began using Helvetica Neue on devices with Retina display, while keeping use of Helvetica on non-Retina devices.
Around 2012, Apple started using Helvetica in OS X application software. iTunes, iMovie, iPhoto, GarageBand, and Apple's professional applications started to feature heavy use of Helvetica, while the majority of the OS X environment retained the comparatively more legible Lucida Grande typeface, which was designed specifically for on-screen use.
After the introduction of iOS 7 in June 2013, Apple began using an extra-thin weight of Helvetica Neue for the user interface of iOS 7, arousing numerous complaints about the less legible typography. For the final release of the operating system, Apple changed the system's font to a slightly thicker weight of Helvetica Neue, although some have complained that readability is still compromised compared to the font weight used in former versions of iOS. Older iOS devices continue to use Helvetica or Helvetica Neue in regular font weights that display with higher contrast on low-resolution displays.
With the introduction of OSX 10.10 "Yosemite" in June 2014, Apple started using Helvetica Neue as the system font on the Mac. This brought all of Apple's user interfaces in line, using Helvetica Neue throughout.
San Francisco (Apple Watch)
One of Apple's newest announced products, the Apple Watch, uses a brand new typeface called San Francisco. San Francisco was specifically designed for enhanced legibility and taller x-height for easy reading on a small display. The typeface has references to a number of different other typefaces, notably FF DIN (used in the UI of the Camera app in iOS 7 and above), Helvetica (used in the UI in iPhone OS to iOS 6), Helvetica Neue (used in the UI of iOS 7 and OS X Yosemite), Roboto (Google's new UI typeface), and Univers (used on Apple's early keyboard designs).
It was widely speculated that San Francisco was going to be the long awaited font that Apple had been reportedly been developing for independent use in their products, and the name of the font was leaked in November 2014 when the WatchKit SDK was released to developers for Apple Watch app development.
On March 9, 2015 at an Apple event in Cupertino, San Francisco was spotted in use on the keyboard for the new 12-inch MacBook with Retina display, but it was not spotted anywhere else in the software or any other typography on the exterior of the device, where Myriad was used.
Three months later on June 8, 2015 at the WWDC 2015 conference, San Francisco replaced Helvetica Neue as the system font for both OS X and iOS operating systems. This version, known as "SF UI", is a modified version of San Francisco that is wider than its Apple Watch counterpart, making it more akin to the previously used Helvetica Neue. The Apple Watch version has since been renamed "SF Compact".
Apple's keyboards were long labeled with Univers 57 (Condensed Oblique), a design choice by Apple's industrial design partner, Frog Design. This began in 1984 with the Apple IIc, which had tilted front-panel buttons to match the inclination of the lettering.
Univers was eventually replaced on Apple's keyboards by VAG Rounded, which was used on all iBook models, PowerBooks introduced after 2003, and MacBooks, MacBooks Pro, MacBooks Air, and Apple Keyboards from August 2007 until early 2015. The font was developed by Sedley Place Ltd. for German car manufacturer Volkswagen and was used in much of their marketing materials.
On March 9, 2015, Apple introduced a new generation of MacBook that utilizes the Apple designed San Francisco typeface. Apple had previously stated that it designed San Francisco “specifically for legibility on Apple Watch.”