Herbert George Wells (21 September 1866 – 13 August 1946)—known as H. G. Wells—was a prolific English writer in a large number of genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels, and is called the dad of science fiction, along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He had been nominated for the Nobel Prize in Literature four times.
Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He had been additionally from an early date an outspoken socialist, most often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he at times indicated on official documents that his profession was that of journalist. Novels like Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion, when they were published, that he had been a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, in 1934 Wells co-founded the charity The Diabetic Association (known today as Diabetes UK).
Herbert George Wells was born at Atlas House, 46 High Street, Bromley, in Kent, on 21 September 1866. Called "Bertie" in the family, he had been the fourth and last child of Joseph Wells (a former domestic gardener, and at the time a shopkeeper and professional cricketer) and his wife, Sarah Neal (a former domestic servant). An inheritance had allowed the family to acquire a shop in which they sold china and sporting goods, although it failed to prosper: the stock was old and worn out, and the location was poor. Joseph Wells managed to earn a meagre income, but little of it came from the shop and he received an unsteady amount of money from playing professional cricket for the Kent county team. Payment for skilled bowlers and batsmen came from voluntary donations afterwards, or from small payments from the clubs where matches were played.
A defining incident of young Wells's life was an accident in 1874 that left him bedridden with a broken leg. To pass the time he started reading books from the local library, brought to him by his father. He soon became devoted to the additional worlds and lives to which books gave him access; they additionally stimulated his desire to write. Later that year he entered Thomas Morley's Commercial Academy, a private school founded in 1849 following the bankruptcy of Morley's earlier school. The teaching was erratic, the curriculum mostly focused, Wells later said, on producing copperplate handwriting and doing the sort of sums useful to tradesmen. Wells continued at Morley's Academy until 1880. In 1877, his father, Joseph Wells, fractured his thigh. The accident effectively put an end to Joseph's career as a cricketer, and his subsequent earnings as a shopkeeper weren't enough to compensate for the loss of the primary source of family income.
No longer able to support themselves financially, the family instead sought to place their sons as apprentices in numerous occupations. From 1880 to 1883, Wells had an unhappy apprenticeship as a draper at the Southsea Drapery Emporium, Hyde's. His experiences at Hyde's, where he worked a thirteen-hour day and slept in a dormitory with additional apprentices, later inspired his novels The Wheels of Chance and Kipps, which portray the life of a draper's apprentice as well as providing a critique of society's distribution of wealth.
Wells's parents had a turbulent marriage, owing primarily to his mom being a Protestant and his dad a freethinker. When his mom returned to work as a lady's maid (at Uppark, a country house in Sussex), one of the conditions of work was that she wouldn't be permitted to have living space for her husband and children. Thereafter, she and Joseph lived separate lives, though they never divorced and remained faithful to each other. As a consequence, Herbert's personal troubles increased as he subsequently failed as a draper and also, later, as a chemist's assistant. Fortunately for Herbert, Uppark had a magnificent library in which he immersed himself, reading a large number of classic works, including Plato's Republic, and More's Utopia. This would be the beginning of Herbert George Wells's venture into literature.
In October 1879 Wells's mom arranged through a distant relative, Arthur Williams, for him to join the National School at Wookey in Somerset as a pupil–teacher, a senior pupil who acted as a teacher of younger children. In December that year, however, Williams was dismissed for irregularities in his qualifications and Wells was returned to Uppark. After a short apprenticeship at a chemist in nearby Midhurst, and an even shorter stay as a boarder at Midhurst Grammar School, he signed his apprenticeship papers at Hyde's. In 1883 Wells persuaded his parents to release him from the apprenticeship, taking an opportunity offered by Midhurst Grammar School again to become a pupil–teacher; his proficiency in Latin and science throughout his previous, short stay had been remembered.
The years he spent in Southsea had been the most miserable of his life to that point, but his good fortune at securing a position at Midhurst Grammar School meant that Wells could continue his self-education in earnest. The following year, Wells won a scholarship to the Normal School of Science (later the Royal College of Science in South Kensington, now part of Imperial College London) in London, studying biology under Thomas Henry Huxley. As an alumnus, he later helped to set up the Royal College of Science Association, of which he became the first president in 1909. Wells studied in his new school until 1887 with a weekly allowance of 21 shillings (a guinea) thanks to his scholarship. This ought to have been a comfortable sum of money (at the time a large number of working class families had "round about a pound a week" as their entire household income) yet in his Experiment in Autobiography, Wells speaks of constantly being hungry, and indeed, photographs of him at the time show a youth who's quite thin and malnourished.
He soon entered the Debating Society of the school. These years mark the beginning of his interest in a possible reformation of society. At first approaching the subject through Plato's Republic, he soon turned to contemporary ideas of socialism as expressed by the recently formed Fabian Society and free lectures delivered at Kelmscott House, the home of William Morris. He had been additionally amongst the founders of The Science School Journal, a school magazine that allowed him to express his views on literature and society, as well as trying his hand at fiction; a precursor to his novel The Time Machine was published in the journal under the title The Chronic Argonauts. The school year 1886–87 was the last year of his studies.
During 1888 Wells stayed in Stoke-on-Trent, living in Basford, and additionally at the Leopard Hotel in Burslem. The unique environment of The Potteries was certainly an inspiration. He wrote in a letter to a friend from the area that "the district made an immense impression on me." The inspiration for a few of his descriptions in The War of the Worlds is thought to have come from his short time spent here, seeing the iron foundry furnaces burn over the city, shooting huge red light into the skies. His stay in The Potteries additionally resulted in the macabre short storey "The Cone" (1895, contemporaneous with his famous The Time Machine), set in the north of the city.
After teaching for a few time, Wells found it necessary to supplement his knowledge relating to educational principles and methodology and entered the College of Preceptors (College of Teachers). He later received his Licentiate and Fellowship FCP diplomas from the College. It wasn't until 1890 that Wells earned a Bachelor of Science degree in zoology from the University of London External Programme. In 1889–90 he managed to find a post as a teacher at Henley House School, where he taught A. A. Milne. His first published work was a Text-book of Biology in two volumes - 1893.
Upon leaving the Normal School of Science, Wells was left without a source of income. His aunt Mary—his father's sister-in-law—invited him to stay with her for a while, which solved his immediate problem of accommodation. Throughout his stay at his aunt's residence, he grew increasingly interested in her daughter, Isabel. He would later go on to court her.
In 1891, Wells married his cousin Isabel Mary Wells. The couple agreed to separate in 1894 when he fell in love with one of his students, Amy Catherine Robbins (later known as Jane), whom he married in 1895. Poor health took him to Sandgate, near Folkestone, where in 1901 he constructed a large family home: Spade House. He had two sons with Jane: George Philip (known as "Gip") in 1901 (died 1985) and Frank Richard in 1903 (died 1982).
With his wife Jane's consent, Wells had affairs with a number of women, including the American birth control activist Margaret Sanger, adventurer and writer Odette Keun, Ukrainian spy Moura Budberg and novelist Elizabeth von Arnim. In 1909 he had a daughter, Anna-Jane, with the writer Amber Reeves, whose parents, William and Maud Pember Reeves, he had met through the Fabian Society; and in 1914 a son, Anthony West (1914–1987), by the novelist and feminist Rebecca West, 26 years his junior. In Experiment in Autobiography (1934), Wells wrote: "I was never a great amorist, though I have loved several people quite deeply". David Lodge's novel A Man of Parts (2011) - a 'narrative based on factual sources' (author's note) - gives a convincing and ordinarily sympathetic account of Wells's relations with the women mentioned above, and others.
One of the ways that Wells expressed himself was through his drawings and sketches. One common location for these was the endpapers and title pages of his own diaries, and they covered a wide variety of topics, from political commentary to his feelings toward his literary contemporaries and his current romantic interests. Throughout his marriage to Amy Catherine, whom he nicknamed Jane, he drew a considerable number of pictures, a large number of of them being overt comments on their marriage. Throughout this period, he called these pictures "picshuas". These picshuas have been the topic of study by Wells scholars for a large number of years, and in 2006 a book was published on the subject.
Some of his early novels, called "scientific romances", invented several themes now classic in science fiction in such works as The Time Machine, The Island of Doctor Moreau, The Invisible Man, The War of the Worlds, When the Sleeper Wakes, and The First Men in the Moon. He additionally wrote realistic novels that received critical acclaim, including Kipps and a critique of English culture throughout the Edwardian period, Tono-Bungay. Wells additionally wrote dozens of short storeys and novellas, including, "The Flowering of the Strange Orchid", which helped bring the full impact of Darwin's revolutionary botanical ideas to a wider public, and was followed by a large number of later successes like "The Country of the Blind" (1904).
According to James Gunn, one of Wells' major contributions to the science fiction genre was his approach, which he referred to as his "new system of ideas". In his opinion the author should always strive to make the storey as credible as possible, even if both the writer and the reader knew certain elements are impossible, allowing the reader to accept the ideas as something that could really happen, today referred to as "the plausible impossible" and "suspension of disbelief". While neither invisibility or time travel were new in speculative fiction, Wells added a sense of realism to the concepts which the readers weren't familiar with. In "Wells's Law", a science fiction storey should contain only a single extraordinary assumption. Being aware the notion of magic as something real had disappeared from society, he therefore used scientific ideas and theories as a substitute for magic to justify the impossible. Wells's best-known statement of the "law" appears in his introduction to The Scientific Romances of H.G. Wells (1933),
"As soon as the magic trick has been done the whole business of the fantasy writer is to keep everything else human and real. Touches of prosaic detail are imperative and a rigorous adherence to the hypothesis. Any additional fantasy outside the cardinal assumption immediately gives a touch of irresponsible silliness to the invention."
Though Tono-Bungay isn't a science-fiction novel, radioactive decay plays a small but consequential role in it. Radioactive decay plays a much larger role in The World Set Free (1914). This book contains what's surely his biggest prophetic "hit". Scientists of the day were well aware that the natural decay of radium releases energy at a slow rate over thousands of years. The rate of release is too slow to have practical utility, but the total amount released is huge. Wells's novel revolves around an (unspecified) invention that accelerates the process of radioactive decay, producing bombs that explode with no more than the force of ordinary high explosives—but which "continue to explode" for days on end. "Nothing could have been more obvious to the people of the earlier twentieth century", he wrote, "than the rapidity with which war was fitting impossible ... [but] they didn't see it until the atomic bombs burst in their fumbling hands". In 1932, the physicist and conceiver of nuclear chain reaction Leó Szilárd read The World Set Free, a book which he said made a great impression on him.
Wells additionally wrote nonfiction. Wells's first nonfiction bestseller was Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought (1901). When originally serialised in a magazine it was subtitled, "An Experiment in Prophecy", and is considered his most explicitly futuristic work. It offered the immediate political message of the privileged sections of society continuing to bar capable men from additional classes from advancement until war would force a need to employ those most able, rather than the traditional upper classes, as leaders. Anticipating what the world would be like in the year 2000, the book is interesting both for its hits (trains and cars resulting in the dispersion of populations from cities to suburbs; moral restrictions declining as men and women seek greater sexual freedom; the defeat of German militarism, and the existence of a European Union) and its misses (he didn't expect successful aircraft before 1950, and averred that "my imagination refuses to see any sort of submarine doing anything but suffocate its crew and founder at sea").
His bestselling two-volume work, The Outline of History (1920), began a new era of popularised world history. It received a mixed critical response from professional historians. Notwithstanding it was quite popular amongst the general population and made Wells a rich man. Many additional authors followed with "Outlines" of their own in additional subjects. Wells reprised his Outline in 1922 with a much shorter popular work, A Short History of the World, and two long efforts, The Science of Life (1930) and The Work, Wealth and Happiness of Mankind (1931). The "Outlines" became sufficiently common for James Thurber to parody the trend in his humorous essay, "An Outline of Scientists"—indeed, Wells's Outline of History remains in print with a new 2005 edition, while A Short History of the World has been re-edited (2006).
From quite early in his career, he sought a better way to organise society, and wrote a number of Utopian novels. The first of these was A Modern Utopia (1905), which shows a worldwide utopia with "no imports but meteorites, and no exports at all"; two travellers from our world fall into its alternate history. The others most of the time begin with the world rushing to catastrophe, until people realise a better way of living: whether by mysterious gases from a comet causing people to behave rationally and abandoning a European war (In the Days of the Comet (1906)), or a world council of scientists taking over, as in The Shape of Things to Come (1933, which he later adapted for the 1936 Alexander Korda film, Things to Come). This depicted, all too accurately, the impending World War, with cities being destroyed by aerial bombs. He additionally portrayed the rise of fascist dictators in The Autocracy of Mr Parham (1930) and The Holy Terror (1939). Men Like Gods (1923) is additionally a utopian novel. Wells in this period was regarded as an enormously influential figure; the critic Malcolm Cowley stated "by the time he had been forty, his influence was wider than any additional living English writer".
Wells contemplates the ideas of nature and nurture and questions humanity in books like The Island of Doctor Moreau. Not all his scientific romances ended in a Utopia, and Wells additionally wrote a dystopian novel, When the Sleeper Wakes (1899, rewritten as The Sleeper Awakes, 1910), which pictures a future society where the classes have become more and more separated, leading to a revolt of the masses against the rulers. The Island of Doctor Moreau is even darker. The narrator, having been trapped on an island of animals vivisected (unsuccessfully) into human beings, eventually returns to England; like Gulliver on his return from the Houyhnhnms, he finds himself unable to shake off the perceptions of his fellow humans as barely civilised beasts, slowly reverting to their animal natures.
Wells additionally wrote the preface for the first edition of W. N. P. Barbellion's diaries, The Journal of a Disappointed Man, published in 1919. Since "Barbellion" was the real author's pen name, a large number of reviewers believed Wells to have been the true author of the Journal; Wells always denied this, notwithstanding being full of praise for the diaries, but the rumours persisted until Barbellion's death later that year.
In 1927 a Canadian citizen, Florence Deeks (1864–1959), unsuccessfully sued Wells for infringement of copyright and breach of trust, claiming that much of The Outline of History had been plagiarised from her unpublished manuscript, The Web of the World's Romance, which had spent nearly nine months in the hands of Wells's Canadian publisher, Macmillan Canada.
In 2000, A. B. McKillop, a professor of history at Carleton University and a leading Canadian historian, produced a book on the Deeks versus Wells case, called The Spinster & The Prophet: Florence Deeks, H. G. Wells, and the Mystery of the Purloined Past. McKillop had been researching another Canadian historical figure when he came across information relating to this, and intrigued, followed through with this book. According to McKillop, the lawsuit was unsuccessful due to the prejudice against a woman suing a well-known and famous male author; McKillop paints a detailed storey based on the circumstantial evidence of the case, and suggests that in a more modern court, she would have been successful.
Deeks's manuscript was apparently sent to MacMillan and Company, UK, to cheque that references to additional works didn't violate copyright. It appeared to go through the hands of one of the editors in the UK who passed it onto Wells, as he knew Wells was thinking of a similar project. The net result was that Deeks's eventually rejected work came back and when it was eventually opened, it was found "soiled, thumbed, worn and torn, with over a dozen pages turned down at the corners, and a large number of others creased as if having been bent back in use". When she compared her work to The Outline of History in the winter of 1920–21 she found remarkable similarities, exact text similarities, and the same errors and omissions that marred her work, additionally in Wells's.
In 2004, Denis N. Magnusson, Professor Emeritus of the Faculty of Law, Queen's University, Kingston, Ontario, had published in Queen's Law Journal an article on Deeks v. Wells. This re-examines the case in relation to McKillop's book (described as "a novel" in the editorial introduction). While having a few sympathy for Deeks, he "challenges the outpouring of public support" for her. He argues that she had a weak case that wasn't well presented, and though she might have met with sexism from her lawyers, she did receive a fair trial. He goes on to say that the law applied is essentially the same law that would be applied to a similar case today (i.e., 2004)
In 1933 Wells predicted in The Shape of Things to Come that the world war he feared would begin in January 1940, a prediction which ultimately came true four months early, in September 1939, with the outbreak of World War II.
In 1936, before the Royal Institution, Wells called for the compilation of a constantly growing and changing World Encyclopaedia, to be reviewed by outstanding authorities and made accessible to every human being. In 1938, he published a collection of essays on the future organisation of knowledge and education, World Brain, including the essay, "The Idea of a Permanent World Encyclopaedia".
Prior to 1933, Wells's books were widely read in Germany and Austria, and most of his science fiction works had been translated shortly after publication. By 1933 he had attracted the attention of German officials because of his criticism of the political situation in Germany, and on 10 May 1933, Wells's books were burned by the Nazi youth in Berlin's Opernplatz, and his works were banned from libraries and bookstores. Wells, as president of PEN International (Poets, Essayists, Novelists), angered the Nazis by overseeing the expulsion of the German PEN club from the international body in 1934 following the German PEN's refusal to admit non-Aryan writers to its membership. At a PEN conference in Ragusa, Wells refused to yield to Nazi sympathisers who demanded that the exiled author Ernst Toller be prevented from speaking. Near the end of the World War II, Allied forces detected that the SS had compiled lists of people slated for immediate arrest throughout the invasion of Britain in the abandoned Operation Sea Lion, with Wells included in the alphabetical list of "The Black Book".
Seeking a more structured way to play war games, Wells additionally wrote Floor Games (1911) followed by Little Wars (1913). Little Wars is recognised today as the first recreational war game and Wells is regarded by gamers and hobbyists as "the Father of Miniature War Gaming".
Wells's literary reputation declined as he spent his later years promoting causes that were rejected by most of his contemporaries as well as by younger authors whom he had previously influenced. In this connexion George Orwell described Wells as "too sane to understand the modern world". G. K. Chesterton quipped: "Mr Wells is a born storyteller who has sold his birthright for a pot of message".
On 28 October 1940, on the radio station KTSA in San Antonio, Texas, Wells took part in a radio interview with Orson Welles, who two years previously had performed a famous radio adaptation of The War of the Worlds. Throughout the interview, by Charles C Shaw, a KTSA radio host, Wells admitted his surprise at the widespread panic that resulted from the broadcast, but acknowledged his debt to Welles for increasing sales of one of his "more obscure" titles.
Wells passed away of unspecified causes on 13 August 1946, aged 79, at his home at 13 Hanover Terrace, Regent's Park, London. Some reports additionally say he passed away of a heart attack at the flat of a friend in London. In his preface to the 1941 edition of The War in the Air, Wells had stated that his epitaph should be: "I told you so. You damned fools". He had been cremated at Golders Green Crematorium on 16 August 1946, with his ashes scattered at sea near Old Harry Rocks. A commemorative blue plaque in his honour was installed at his home in Regent's Park.
The Fabian Society
Wells called his political views socialist. He had been for a time a member of the socialist Fabian Society, but broke with them as his creative political imagination, matching the originality shown in his fiction, outran theirs. He later grew staunchly critical of them as having a poor understanding of economics and educational reform. He ran as a Labour Party candidate for London University in the 1922 and 1923 general elections after the death of his friend W. H. R. Rivers, but at that point his faith in the party was weak or uncertain.
Social class was a theme in Wells's The Time Machine in which the Time Traveller speaks of the future world, with its two races, as having evolved from:
"the gradual widening of the present (19th century) merely temporary and social difference between the Capitalist and the Labourer. ... Even now, doesn't an East-end worker live in such artificial conditions as practically to be cut off from the natural surface of the earth? Again, the exclusive tendency of richer people ... is already leading to the closing, in their interest, of considerable portions of the surface of the land. About London, for instance, perhaps half the prettier country is shut in against intrusion. "
Wells has this quite same Time Traveller, reflecting his own socialist leanings, refer in a tongue-in-cheek manner to an imagined world of stark class division as "perfect" and with no social problem unsolved. His Time Traveller thus highlights how strict class division leads to the eventual downfall of the human race:
"Once, life and property must have reached almost absolute safety. The rich had been assured of his wealth and comfort, the toiler assured of his life and work. No doubt in that perfect world there had been no unemployed problem, no social question left unsolved. "
Wells's most consistent political ideal was the World State. He stated in his autobiography that from 1900 onward he considered a World State inevitable. He envisioned the state to be a planned society that would advance science, end nationalism, and allow people to progress by merit rather than birth.
In Anticipations (1900) Wells envisaged that "the great urban region between Chicago and the Atlantic” will unify the English-speaking states, and this larger English-speaking unit, “a New Republic dominating the world,” will by the year 2000 become the means “by which the final peace of the world might be assured forever." It will be “a new social Hercules that will strangle the serpents of war and national animosity in his cradle.” Such a synthesis "of the peoples now using the English tongue, I regard not only as possible, but as a probable, thing.” The New Republic “will already be consciously and pretty freely controlling the general affairs of humanity before this century closes…” Its principles and opinions “must necessarily shape and determine that still ampler future of which the coming hundred years is but the opening phase.” The New Republic must ultimately become a "World-State."
Wells's 1928 book The Open Conspiracy argued that groups of campaigners should advocate a "world commonwealth", governed by a scientific elite, that would work to eliminate problems like poverty and warfare. In 1932, Wells told Young Liberals at the University of Oxford that progressive leaders must become liberal fascists who would "compete in their enthusiasm and self-sacrifice" against the advocates of dictatorship. In 1940, Wells published a book called The New World Order that outlined his plan as to how a World Government would be set up. In The New World Order, Wells admitted that the establishment of such a government could take a long time, and be created in a piecemeal fashion.
Some of Wells's early science fiction works reflect his thoughts about the degeneration of humanity. Wells doubted whether human knowledge had advanced sufficiently for eugenics to be successful. In 1904 he discussed a survey paper by Francis Galton, co-founder of eugenics, saying, "I believe that now and always the conscious selection of the best for reproduction will be impossible; that to propose it is to display a fundamental misunderstanding of what individuality implies ... It is in the sterilisation of failure, and not in the selection of successes for breeding, that the possibility of an improvement of the human stock lies". In his 1940 book The Rights of Man: Or What Are We Fighting For? Wells included amongst the human rights he believed should be available to all people, "a prohibition on mutilation, sterilization, torture, and any bodily punishment".
Wells's 1906 book The Future in America, contains a chapter, "The Tragedy of Colour", which discusses the problems facing black Americans. While writing the book, Wells met with Booker T. Washington, who provided him with much of his information for the book. Wells praised the "heroic" resolve of black Americans, stating he doubted if the US could:
"show any thing finer than the quality of the resolve, the steadfast effort hundreds of black and coloured men are making to-day to live blamelessly, honourably, and patiently, getting for themselves what scraps of refinement, learning, and beauty they may, keeping their hold on a civilization they're grudged and denied."
In his 1916 book What Is Coming? Wells states, "I hate and despise a shrewish suspicion of foreigners and foreign ways; a man who can look me in the face, laugh with me, speak truth and deal fairly, is my brother, though his skin is as black as ink or as yellow as an evening primrose".
In The Outline of History, Wells argued against the idea of "racial purity", stating: "Mankind from the point of view of a biologist is an animal species in a state of arrested differentiation and possible admixture. ... [A]ll races are more or less mixed".
In 1943 Wells wrote an article for the Evening Standard, "What a Zulu Thinks of the English", prompted by receiving a letter from a Zulu soldier, Lance Corporal Aaron Hlope. Wells's article was a strong attack on anti-black discrimination in South Africa. Wells claimed he had "the utmost contempt and indignation for the unfairness of the handicaps put upon men of colour". Wells additionally denounced the South African government as a "petty white tyranny".
Wells had given a few moderate, unenthusiastic support for Territorialism before the First World War, but later became a bitter opponent of the Zionist movement in general. He saw Zionism as an exclusive and separatist movement which challenged the collective solidarity he advocated in his vision of a world state. No supporter of Jewish identity in general, Wells had in his utopian writings predicted the ultimate assimilation of the Jewish people. In notes to accompany his biographical novel A Man of Parts David Lodge describes how Wells came to regret his attitudes to the Jews as he became more aware of the extent of the Nazi atrocities. This included a letter of apology written to Chaim Weizmann for earlier statements he had made.
First World War
He supported Britain in the First World War in his 1914 article, "Why Britain Went To War", notwithstanding his a large number of criticisms of British policy, and opposed, in 1916, moves for an early peace. In an essay published that year he acknowledged that he couldn't understand those British pacifists who were reconciled to "handing over great blocks of the black and coloured races to the [German Empire] to exploit and experiment upon" and that the extent of his own pacifism depended in the first instance upon an armed peace, with "England keep[ing] to England and Germany to Germany". State boundaries would be established according to natural ethnic affinities, rather than by planners in distant imperial capitals, and overseen by his envisaged world alliance of states.
The leadership of Joseph Stalin led to a change in his view of the Soviet Union even though his initial impression of Stalin himself was mixed. He disliked what he saw as a narrow orthodoxy and intransigence in Stalin. He did give him a few praise saying in an article in the left-leaning New Statesman magazine in 1934, "I have never met a man more fair, candid, and honest" and making it clear that he felt the "sinister" image of Stalin was unfair or false. Nevertheless, he judged Stalin's rule to be far too rigid, restrictive of independent thought, and blinkered to lead toward the Cosmopolis he hoped for. In the course of his visit to the Soviet Union in 1934, he debated the merits of reformist socialism over Marxism-Leninism with Stalin.
In 1939 Wells denounced the ideological takeover of science by fascism and communism:
"In Communist circles you might hear the most terrible balderdash about proletarian chemistry or proletarian mathematics. In Germany additionally it is alleged that a few remarkable iniquity attaches to Jewish physics and Einstein is denounced and banned."
Wells brought his interest in art and design, and politics together when he and additional notables signed a memorandum to the Permanent Secretaries of the Board of Trade, amongst others. The November 1914 memorandum expressed the signatories concerns about British industrial design in the face of foreign competition. The suggestions were accepted, leading to the foundation of the Design and Industries Association. In the 1920s he had been an enthusiastic supporter of rejuvenation attempts by Eugen Steinach and others. He had been a patient of Dr Norman Haire (perhaps a rejuvenated one) and in response to Haire's 1924 book Rejuvenation: the Work of Steinach, Voronoff, and Others, Wells prophesied a more mature, graver society with "active and hopeful children" and adults "full of years" where none will be "aged".
In his later political writing, Wells incorporated into his discussions of the World State a notion of universal human rights that would protect and guarantee the freedom of the individual. His 1940 publication The Rights of Man laid the groundwork for the 1948 Universal Declaration of Human Rights.
In the end Wells's contemporary political impact was limited, excluding his fiction's positivist stance on the leaps that can be made by physics towards world peace. His efforts regarding the League of Nations became a disappointment as the organisation turned out to be a weak one unable to prevent the Second World War, which itself occurred towards the quite end of his life and only increased the pessimistic side of his nature. In his last book Mind at the End of Its Tether (1945) he considered the idea that humanity being replaced by another species might not be a bad idea. He additionally came to refer to the Second World War era as "The Age of Frustration".
Wells wrote in his book God the Invisible King (1917) that his idea of God didn't draw upon the traditional religions of the world:
"This book sets out as forcibly and exactly as possible the religious belief of the writer. [Which] is a profound belief in a personal and intimate God. ... Putting the leading idea of this book quite roughly, these two antagonistic typical conceptions of God might be best contrasted by speaking of one of them as God-as-Nature or the Creator, and of the additional as God-as-Christ or the Redeemer. One is the great Outward God; the additional is the Inmost God. The first idea was perhaps developed most highly and completely in the God of Spinoza. It is a conception of God tending to pantheism, to an idea of a comprehensive God as ruling with justice rather than affection, to a conception of aloofness and awestriking worshipfulness. The second idea, which is opposed to this idea of an absolute God, is the God of the human heart. The writer would suggest that the great outline of the theological struggles of that phase of civilisation and world unity which produced Christianity, was a persistent but unsuccessful attempt to get these two different ideas of God into one focus."
Later in the work he aligns himself with a "renascent or modern religion ... neither atheist nor Buddhist nor Mohammedan nor Christian ... [that] he has found growing up in himself".
Of Christianity he has this to say: "it isn't now true for me. ... Every believing Christian is, I'm sure, my spiritual brother ... but if systemically I called myself a Christian I feel that to most men I should imply too much and so tell a lie". Of additional world religions he writes: "All these religions are true for me as Canterbury Cathedral is a true thing and as a Swiss chalet is a true thing. There they are, and they have served a purpose, they have worked. Only they aren't true for me to live in them. ... They don't work for me".
The science fiction historian John Clute describes Wells as "the most important writer the genre has yet seen", and notes his work has been central to both British and American science fiction. He had been nominated for the Nobel Prize in Literature in 1921, 1932, 1935, and 1946.
In Britain, Wells's work was a key model for the British "Scientific Romance", and additional writers in that mode, like Olaf Stapledon, J. D. Beresford, S. Fowler Wright, and Naomi Mitchison, all drew on Wells's example. Wells was additionally an important influence on British science fiction of the period after the Second World War, with Arthur C. Clarke and Brian Aldiss expressing strong admiration for Wells's work.
In the United States, Hugo Gernsback reprinted most of Wells's work in the pulp magazine Amazing Stories, regarding Wells's work as "texts of central importance to the self-conscious new genre". Later American writers like Ray Bradbury, Isaac Asimov, Frank Herbert and Ursula K. Le Guin all recalled being influenced by Wells's work.
- The superhuman protagonist of J. D. Beresford's 1911 novel, The Hampdenshire Wonder, Victor Stott, was based on Wells.
- In M. P. Shiel's short storey "The Primate of the Rose" (1928), there's an unpleasant womaniser named E. P. Crooks, who was written as a parody of Wells. Wells had attacked Shiel's Prince Zaleski when it was published in 1895, and this was Shiel's response. Wells would later praise Shiel's The Purple Cloud (1901); in turn Shiel expressed admiration for Wells, referring to him at a speech to the Horsham Rotary Club in 1933 as "my friend Mr. Wells".
- In C. S. Lewis' novel That Hideous Strength (1945), the character Jules is a caricature of Wells, and much of Lewis's science fiction was written both under the influence of Wells and as an antithesis to his work (or, as he put it, an "exorcism" of the influence it had on him).
- In Saul Bellow's novel Mr. Sammler's Planet (1970), Wells is one of several historical figures the protagonist met when he had been a young man.
- In Brian Aldiss' novella The Saliva Tree, Wells has a small off screen guest role.
- Wells is one of the two George's in Paul Levinson's 2013 time-travel novelette, "Ian, George, and George," published in Analog Magazine.
- Malcolm MacDowell portrays Wells in the 1979 science fiction film Time After Time, in which Wells uses a time machine to pursue Jack the Ripper to the present day. In the film, Wells meets "Amy" in the future who then returns to 1895 to become his second wife Amy Catherine Robbins.
- Wells is portrayed in the 1985 storey Timelash from the 22nd season of the BBC science-fiction television series Doctor Who. In this story, Herbert, an enthusiastic temporary companion to the Doctor, is revealed to be a young H. G. Wells. The plot is loosely based upon the themes and characters of The Time Machine with references to The War of the Worlds, The Invisible Man and The Island of Doctor Moreau. The storey jokingly suggests that Wells's inspiration for his later novels came from his adventure with the Sixth Doctor.
- In the BBC2 anthology series Encounters, about imagined meetings between historical figures, Beautiful Lies (15 August 1992) centred on an acrimonious dinner party attended by Wells (Richard Todd), George Orwell (Jon Finch), and William Empson (Patrick Ryecart).
- The character of Wells additionally appeared in several episodes of Lois & Clark: The New Adventures of Superman (1993–1997), most of the time pitted against the time-traveling villain known as Tempus (Lane Davies). Wells's younger self was played by Terry Kiser, and the older Wells was played by Hamilton Camp.
- In the 2006 television docudrama HG Wells: War with the World, Wells is played by Michael Sheen.
- On the science fiction television series Warehouse 13 (2009–2014), there's a female version Helena G. Wells. When she appeared she explained that her brother was her front for her writing because a female science fiction author wouldn't be accepted.
- Comedian Paul F. Tompkins portrays a fictional Wells as the host of The Dead Authors Podcast, wherein Wells uses his time machine to bring dead authors (played by additional comedians) to the present and interview them.
- H.G. Wells as a young boy appears in the Legends of Tomorrow episode "The Magnificent Eight". In this story, the boy Wells is dying of consumption, but is cured by a time-travelling Martin Stein.
In 1954, the University of Illinois at Urbana–Champaign purchased the H. G Wells literary papers and correspondence collection. The University's Rare Book & Manuscript Library holds the largest collection of Wells manuscripts, correspondence, first editions and publications in the United States. Among these is an unpublished material and the manuscripts of such works as The War of the Worlds and The Time Machine. The collection includes first editions, revisions, translations. The letters contain general family correspondence, communications, from publishers, material regarding the Fabian Society, and letters from politicians and public figures, most notably George Bernard Shaw and Joseph Conrad.