Giosuè Alessandro Giuseppe Carducci (Italian: [dʒozuˈɛ kkarˈduttʃi]; 27 July 1835 – 16 February 1907) was an Italian poet and teacher. He was quite influential and was regarded as the official national poet of modern Italy. In 1906 he became the first Italian to receive the Nobel Prize in Literature in 1906 "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterise his poetic masterpieces".

Biography

He was born in Valdicastello (part of Pietrasanta), a small town in the Province of Lucca in the northwest corner of the region of Tuscany. His father, a doctor, was an advocate of the unification of Italy and was involved with the Carbonari. Because of his politics, the family was forced to move several times throughout Carducci's childhood, eventually settling for a few years in Florence.

From the time he was in college, he was fascinated with the restrained style of Greek and Roman antiquity, and his mature work reflects a restrained classical style, most often using the classical metres of such Latin poets as Horace and Virgil. He translated Book 9 of Homer's Iliad into Italian.

He graduated in 1856 from the Scuola Normale Superiore di Pisa and began teaching school. The following year, he published his first collection of poems, Rime. These were difficult years for Carducci: his father died, and his brother committed suicide.

In 1859, he married Elvira Menicucci, and they had four children. He briefly taught Greek at a high school in Pistoia, and then was appointed Italian professor at the university in Bologna. Here, one of his students was Giovanni Pascoli, who became a poet himself and later succeeded him at the university.
Carducci was a popular lecturer and a fierce critic of literature and society. He was an atheist, whose political views were vehemently hostile to Christianity generally and the Catholic Church in particular.

I know neither truth of God nor peace with the Vatican or any priests. They are the real and unaltering enemies of Italy.

he said in his later years.[2]

This anti-clerical revolutionary vehemence is prominently showcased in one famous poem, the deliberately blasphemous and provocative "Inno a Satana" (or "Hymn to Satan".) The poem was composed in 1863 as a dinner party toast, published in 1865, then republished in 1869 by Bologna's radical newspaper, Il Popolo, as a provocation timed to coincide with the First Vatican Council, a time when revolutionary fervour directed against the papacy was running high as republicans pressed both politically and militarily for an end of the Vatican’s domination over the papal states.

In 1890 he met future writer and poet Annie Vivanti, with whom he started a love affair. Carlo Emilio Gadda reported that

Carducci used to travel with a suitcase in which he kept a huge pair of Annie Vivanti's panties... every once in a while, he opened the suitcase, took out the panties, sniffed them and got intoxicated from them.[3][4] In 2004, the uncensored letters between her and Carducci were published.[3][5]

While "Inno a Satana" had quite a revolutionary impact, Carducci's finest poetry came in later years. His collections Rime Nuove (New Rhymes) and Odi Barbare (Barbarian Odes) contain his greatest works.

He was the first Italian to receive the Nobel Prize in Literature, in 1906. He was additionally elected a Senator of Italy. Although his reputation rests primarily on his poetry, he additionally produced a large body of prose works. Indeed, his prose writings, including literary criticism, biographies, speeches and essays, fill a few 20 volumes. Carducci was additionally an excellent translator and translated a few of Goethe and Heine into Italian.

The Museum of the Risorgimento, Bologna is housed in the Casa Carducci, the house where he died at the age of 71, and contains an exhibits on the author.